The harmonious interaction of strongly differentiated colors and ornamental organization is obvious. In 1986 she started working and experiencing with holograms which then was named New-Holo-Art. Light plays a new role, and affects special effect as well as color quality and/or intensity. This brought 1994 the first large acknowledgment to her and she received the Holografic Award.

As Leonore Zimmermann merges high-tech products such as holograms and holografic foils harmoniously with her pictures, she makes clear that her know-how does not receive now by any means dominance in their works, but that it remains material.

Like Beuys, who used fat and felt, or Picasso with his paperclips for collages, she uses holograms or holografic foils.

Her pictures are collected by museums, like e.g. the Bavarian state painting collection. Leonore’s works decorate large companies all over the world and of course her pictures are enjoyed by many private collectors. Because of her art she has an international reputation and still, for the joy of her public, is passionately experimenting as well.

Source: Doerthe Lammel (expert knowledge of art, Berlin)

Leonore Zimmermann created a new art trend which is being called New-Holo-Art today, a combination of painting and holography. In this area it is the undisputed No.1. (translated from original in German)